Dos narradores extraordinarios, Gabo y Mario, el poeta y el arquitecto, Lennon y McCartney, el turco y el indio, protagonizan una de las amistades más férreas de toda la literatura universal. Esos mismos amigos, diez años más tarde, terminan su relación con una pelea que llega hasta los puños. Cobijados bajo sus alas, un conjunto de escritores, los mejores del continente latino...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

Gilles Deleuze has produced some of the most important -- and most formidable -- theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

Gilles Deleuze has produced some of the most important -- and most formidable -- theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

安赫尔·埃斯特万（Ángel Esteban） 西班牙格拉纳达大学西班牙语美洲文学专业教授、拉丁美洲研究硕士项目负责人。代表作有《缪斯到来时：文学巨匠是如何写作的》《加博与菲德尔：一段友情》《瘦子胡里奥与写匠：胡里奥·拉蒙·里维罗与马里奥·巴尔加斯·略萨面对面》《天堂中的作家：30位曾是图书管理员的伟大作家》《沉浸在老人与海洋之中的古巴文学》《马蒂及其他西语美洲现代主义伟大诗人作品中的贝克尔身影》等。 安娜·加列戈·奎尼亚斯（Ana Gallego Cuiñas） 西班牙格拉纳达大学西班牙语美洲文学专业教师。在多本国际知名刊物上发表论文多篇，内容涉及多米尼加共和国文学，现代拉普拉塔河沿岸文学，自传书写，大西洋两岸文学，文学与经济的关系等主题。目前兼任 I+D LETRA L 项目首席研究员，杂志编辑，格拉纳达大学文哲系文化活动与研究项目负责人。

In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the disc...(展开全部)

The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious mo...(展开全部)

The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious mo...(展开全部)